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Issue 105 Fall 2008
David Seidner describes the spatially-aware sculptures of Jene Highstein as “awesome yet inviting somehow: shapes that beckon to caress, that speak of intimacy, be they the size of a fist, or a ten ton piece of polished black granite.”
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Folk artist and musician James “Son” Thomas discusses his collection of human teeth, getting shot by his wife, and the healing powers of first lady Nancy Reagan.
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