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Issue 105 Fall 2008

TABLE OF CONTENTS

Issue 57 Fall 1996

Peter Dreher by Lynne Tillman

A glass a day, every day… An artist’s obsession: the act of painting.

(Issue 57 Fall 1996, ART)  >>>

Karen Gunderson and Norma Holt

This article is not yet available online. (Issue 57 Fall 1996, ART)  >>>

Jasper Johns by Marjorie Welish

Racing thoughts: Artist and poet Marjorie Welish speaks to the legendary painter on the eve of his Fall 1996 retrospective at the Museum of Modern Art.

(Issue 57 Fall 1996, ART)  >>>

Laurie Simmons by Linda Yablonsky

What do ventriloquist dummies and the Acropolis have in common? Artist Laurie Simmons. Her photographs have toyed with our perceptions since 1976; Linda Yablonsky finds out how.

(Issue 57 Fall 1996, ART)  >>>

Tobias Wolff by A.M. Homes

A.M. Homes speaks to the master storyteller of This Boy’s Life, In Pharaoh’s Army and a book of stories, The Night in Question.

(Issue 57 Fall 1996, LITERATURE)  >>>

Suzannah Lessard and Honor Moore by Betsy Sussler

Suzannah Lessard’s rumination, The Architect of Desire: Beauty and Danger in the Stanford White Family, and Honor Moore’s biography of her grandmother, The White Blackbird, reveal the myths and truths surrounding family legacies.

(Issue 57 Fall 1996, LITERATURE)  >>>

Sapphire by Kelvin Christopher James

Sapphire’s a literary phenomenon. Kelvin Christopher James goes in depth with her first novel, Push.

(Issue 57 Fall 1996, LITERATURE)  >>>

Brenda Blethyn by Michael Collins

Brenda Blethyn’s performance in Mike Leigh’s Secrets and Lies won her a Palme d’Or for Best Actress at Cannes. She talks about Leigh’s special process of improvisation.

(Issue 57 Fall 1996, FILM)  >>>

Richard Einhorn by Stuart Cohn

Stuart Cohn examines composer Richard Einhorn’s extraordinary opera Voices of Light, based on the life of Joan of Arc and Carl Dreyer’s classic film.

(Issue 57 Fall 1996, MUSIC)  >>>

Dance! by Robert Tracy and Tom McKitterick

Photographs by Tom McKitterick with text by Robert Tracy. Three stars of ballet: Peter Boal, Vladimir Malakhov and Duncan Cooper.

(Issue 57 Fall 1996, THEATER)  >>>

Scott Elliott by Eric Bogosian

Scott Elliott’s meteoric rise as a theater director is hailed as the return to the tradition of ensemble acting.

(Issue 57 Fall 1996, THEATER)  >>>

Craig Lucas

The Bohen Series on Critical Discourse. “Equality in the Theater” by Craig Lucas.

(Issue 57 Fall 1996, THEATER)  >>>

Lewis Lib

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Sesshu Foster

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Keith Tyson by Glenn Brown

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Joshua Neustein by Kristine Stiles

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Jeffrey Gustavson

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Elena Alexander

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Edwin Frank

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Chuck Agro

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Andy McCord

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Ken Foster

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Amiri Baraka

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Kimiko Hahn

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>

Larry Brown

This article is not yet available online. (Issue 57 Fall 1996, FIRST PROOF)  >>>