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Issue 106 Winter 2009
The late Gretchen Bender created “high tech” art when “high tech” was still an accepted turn of phrase. Here, she talks to Cindy Sherman about the appropriation and manipulation of T.V. commercials, images from the news, and contemporary art.
>>>For copyright reasons this content is available in print only.
>>>This piece is “Merry Christmas, Dr. Title”. For copyright reasons this content is available in print only.
>>>This piece contains “To the Consciousness of a Shooting Star” with two untitled watercolors. For copyright reasons this content is available in print only.
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Authors Martin Amis and Patrick McGrath discuss Amis’s novel, Money, a black comedy set in New York and London, featuring the misadventures of a large and ugly filmmaker named John Self, a man “addicted to the 20th century.”
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Famed writer, editor, filmmaker, and publisher Charles Henri Ford speaks of his early years in Paris, his theory of collage, and how he came to obtain a nude photograph of Robert Mapplethorpe and Patti Smith.
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Director Roland Joffe discusses the films The Killing Fields and The Mission; growing up in post- war London; and transitioning from theater to television to film.
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